Fox and DirecTV Reach Last-Minute Deal to Avoid Blackout

Fox, Direct TV logos DirecTV and Fox Networks reached a last-minute agreement Monday to avoid a blackout that would have included FX, several regional sports networks and other Fox-owned cable channels, The NY Times reports. "Fox Networks and DirecTV have reached an agreement for DirecTV to continue carrying all Fox Networks," the two companies said in a joint statement. "We both know the past 10 days have been challenging, but we're pleased that both sides could eventually come together to ensure our viewers continue to enjoy Fox programming." Kurt Sutter takes on DirecTV over possible blackout with choice words Fox and DirecTV had been engaged in a public battle since Oct. 21. Fox claimed that DirecTV sent the company a proposal that stipulated that Fox agree to their pricing terms or else DirecTV's 19 million subscribers will lose access to more than two dozen Fox cable. DirecTV claimed that Fox was seeking a 40 percent increase in subscriber fees. They came to an agreement just nine hours before the Nov. 1 deadline. In the days leading up to the possible blackout, Kurt Sutter - the creator and executive producer behind FX's Sons of Anarchy, took to his blog to share the script of a promo he had written himself, but had not been approved or filmed. "Starting November 1st, DirecTV is pulling FX from your box. That means you'll miss the last five episodes of Sons this season. Perhaps five of the most critical episodes of the series," he said. "I know Fox has a horse in this race, but they're trying to negotiate in good faith. DirecTV is shutting down all conversation and using their customers as leverage. In the process, you're getting f---ed over. They're running ads with their corporate shill telling you how much 'they care about your business,' that dude's got one sincere hand on his heart while the other greases your unsuspecting backside. Because they're about to flip you over and f--- up the a-- till you bleed." DirecTV has 19 million subscribers. Are you happy Fox and DirecTV avoided the blackout?

Coens offer Timberlake a role in 'Inside'

TimberlakeJust as 20th Century Fox releases his futuristic thriller "In Time," Justin Timberlake is on the verge of landing his biggest movie role yet: He's been offered one of the lead roles in the Coen brothers' folk music pic "Inside Llewyn Davis." Story focuses on the folk music scene in Greenwich Village in the 1960s and the title character is loosely based on Dave Van Ronk, a folk singer who was friends with Bob Dylan, among other famous musicians. The Coens have offered Timberlake the role of Jim, a folk musician married to Jean, who will be played by Carey Mulligan. Oscar Isaac ("Drive") stars as the title character, a struggling folk musician born and bred in Queens. Despite being a talented singer and guitarist, he just can't seem to make ends meet playing music. Timberlake's feature career has been on the rise since his supporting perfs in such films as "Alpha Dog," "Southland Tales" and "Black Snake Moan." After earning critical acclaim for his turn as Napster founder Sean Parker in "The Social Network," Timberlake has taken on leading roles in the studio comedies "Bad Teacher" and "Friends With Benefits." Should he accept the Coens' offer, not only would Timberlake reunite with his "Social Network" producer Scott Rudin, but he'd have a key role in one of next year's most prestigious pics. StudioCanal is set to co-finance the film, which will be made without a domestic distribution partner. Robert Graf ("True Grit") is exec producing and production is skedded for early next year in Gotham. Timberlake is repped by WME and manager Rick Yorn. Contact Jeff Sneider at jeff.sneider@variety.com

When Johnny Depp Met Vanessa Paradis: 'My Life As a Single Man Was Done'

Carlo Allegri/Getty Images Pirates of the Caribbean star Johnny Depp will never forget his love-at-first-sight meeting with Vanessa Paradis in 1998. He was making a film -- The Ninth Gate -- with Roman Polanski in Paris. One night the director and actor both went to a dinner party at the Hotel Costes on Rue Saint-Honoré on the Right Bank. "She was wearing a dress with an exposed back and I saw that back and that neck, and then she turned around and I saw those eyes, and - boom! My life as a single man was done," the Daily Mail reports. He added, 'You have this feeling - I can't really explain what it was, but I had it when I met her. I saw her across a room and thought: "What's happening to me?" PHOTOS: Johnny Depp's Most Memorable Career Moments Depp got much more than a life partner when he hooked up with the French singer/actress/model. He also got a style partner. Both he and Vanessa have equally quirky individual styles that's part rock n' roll and part vintage. It's always a pleasure to see them together on the red carpets. From day one, they have seemed right in sync, even here at the Critics Choice Awards in 2004. While Paradis is more likely to wear a designer than Depp (she favors Chanel) but she also loves vintage chiffon dresses. VIDEO: Johnny Depp Confronts Ricky Gervais About Golden Globes Jokes Depp has it in his contracts that he gets to keep his film costumes so he has quite a selection of made-to-measure items -- designed by Oscar-winning costume designer Colleen Atwood . Think Sweeney Todd, Alice in Wonderland, Sleepy Hollow, Public Enemies, Rum Diaries and now Dark Shadows. According to Atwood, Depp keeps his costumes in a warehouse in Santa Monica, carefully stored and catalogued The couple and their two children, Jack and Lily Rose, spend their time at their LA Hollywood Hills compound, their two homes in France, a yacht and a private Caribbean island and he still occasionally gets onstage for surprise musical performances. And their love is still going strong. "She and I have been together for nearly 14 years, and, well, I can hardly believe it. It only seems like yesterday that we met." Meeting her also changed his wild lifestyle. He cut down on drinking and smoking, started exercising and healthy eating. Depp's idea of a perfect moment now is a far cry from his youthful partying days. 'A glass or two of wine before dinner is my favorite thing, watching the sunset and the kiddies playing nearby. It's perfection.' Johnny Depp Roman Polanski Red Carpet Pirates of the Caribbean: On Stranger Tides Dark Shadows The Lone Ranger

Cable Pilot Castings: Serta Lauria To Star In Sullivan & Boy, Austin Butler In Intercept

EXCLUSIVE: Serta Lauria is placed to star opposite Steve Byrne in The best spinner's half-hour comedy pilot Sullivan And Boy, starring comedian Byrne and executive created by Vince Vaughn and Peter Billingsley. Compiled by Byrne and Cheers alum Take advantage of Lengthy, Sullivan And Boy is incorporated in the vein from the classic NBC comedy and happens inside a popular and legendary neighborhood bar inside a working-class neighborhood in Pittsburgh. It focuses on Steve Sullivan (Byrne), the boy from the bars current owner (Lauria) and also the grand son of their founder, who surprises his Irish-American father and Korean-American mother (Jodi Lengthy) when he decides to depart his job like a effective corporate attorney in New You are able to and go back to the area to consider over Sullivan & Boy. Lauria is by using Talent Works, Marshak/Zachary & Shaun Berger. Austin Butler, that has been recurring on ABC Family’s Switched At Birth, is placed to star inside a potential new series for that network. Butler has became a member of ABC Family’s hourlong pilot Intercept, a technology- and action-driven drama four university students who get roped into fixing crimes when one of these (Butler) produces a higher-tech communication device that intercepts conversations through the West Coast. Butler joins lately cast Danielle Panabaker and Chloe Wang.

Starz Orders David Goyer's 'Da Vinci's Demons' To Series

Kevin Winter/Getty ImagesDavid S. Goyer Starz is certainly going into business using the guy behind the Superman and Batman. A mans-skewing cable network has acquired adventure series Da Vinci's Devils, compiled by Guy of Steel feature scribe David Goyer (who also co-authored Batman Starts, The Dark Dark night). The eight-episode historic fantasy series, developed and created by BBC Worldwide Productions, informs the "untold" story around the globe's finest genius throughout his 20s in Renaissance Florence. "Da Vinci was the initial Renaissance guy -- a near-mythic figure which has worldwide appeal," Goyer stated inside a statement announcing this news Tuesday."We have spent with figures like Batman and Superman, it designed a strange type of sense that i can dive in to the details and stories swirling round his roots." Da Vinci's Devils will even tell the storyline from the brash and brilliant 25-year-old artist, inventor, swordsman, lover, dreamer and idealist whose intellect and skills is going to be investigated because he find it difficult to live in their own reality and time because he starts to determine -- and invent -- the near future. "This is a show about secret histories, genius, madness and all sorts of things profane," Goyer added."And That I'm particularly excited which i get to get it done on premium cable, in which the story is often as dark and challenging and irreverent because it warrants to become.Starz and BBC Worldwide Productions happen to be only encouraging." The project may be the first underneath the multiyear deal Starz and BBC Worldwide Productions set this summer time. Production around the series is scheduled to start early the coming year for any 2013 premiere. Goyer assists as showrunner, with Julie Gardner executive creating together with BBC Worldwide Productions topper Jane Tranter. "David has reimagined probably the most legendary superheroes ever, and it is again building an remarkable prism by which to find the earth's finest genius and many mysterious guy," Starz media controlling director Carmi Zlotnick stated. "If present day has Tony Stark, the Renaissance had da Vinci. This can be a story we feel will captivate the creativeness of audiences all over the world and it is the very first of the items we be prepared to be many productions with this gifted partners at BBC Worldwide Productions." Added Tranter: "The youthful existence of the incredibly complex and brilliant guy has not been investigated. With David Goyer, whose imagination has produced juggernaut and legendary theatrical features, combined using the premium presence of Chris Albrecht, Carmi Zlotnik as well as their Starz team, we could not become more enthusiastic about getting this story to U.S. audiences and worldwide audiences." Da Vinci's Devils joins a selection which includes Kelsey Grammer's already-restored politica drama Boss, Spartacus: Vengeance and Miracle City, which premieres in April. Goyer and BBC Worldwide Productions are repped by CAA. Email: Lesley.Goldberg@thr.com Twitter: @Snoodit

NBC Sports departing New You'll be able to

After greater than six decades, NBC Sports group is departing NY City for Connecticut. The web will retain some space within the longtime home at Rockefeller Center, but almost all its methods will go to the completely new Stamford offices, where the governor's office introduced the org brings some 450 jobs and would consequently receive tax credits. The web may also be apparently obtaining a loan of $20 million. Comcast Sports Management group, which runs 22 regional nets, is moving to Connecticut, too, when construction within the new campus (a classic Clairol factory) is completed between 2013. Cable internet Versus, NBC Olympics and NBC Sports Digital will probably be among the divisions situated within the facility. Remaining behind will probably be NBC's Sunday evening Nfl pre-game show "Football Evening within the usaInch and sales staff coping with the Madison Avenue-based industry. Contact Mike Thielman at mike.thielman@variety.com

Maestro Award Recipient Alan Menken on the Future of Movie Musicals (Q&A)

Eight Oscars plus 10 Grammy Awards and seven Golden Globes equals one illustrious career for composer and lyricist Alan Menken, 62, whose musical canon includes such beloved animated fare as The Little Mermaid, Aladdin and Tangled, along with the classic Little Shop of Horrors and his latest screen-to-stage adaptation, Sister Act.our editor recommendsComposer Alan Menken: Why I Don't Watch 'Glee' After 25 years in the business, he remains an in-demand music man with heart, soul and a very sturdy trophy cabinet, soon to add another to the collection: the Billboard/Hollywood Reporter Maestro Award, to be presented Oct. 24 at our 2011 Film & TV Music Conference. PHOTOS: 'Tangled' and 14 Other Movies That Made an A+ CinemaScore Grade The Hollywood Reporter: What is the state of the movie musical today? Alan Menken: Musicals are tough. There is no industry or pipeline through which new movie musicals come -- there aren't stars that we identify with musical theater, nor is there an established audience that's big enough just for a film musical. After we did Tangled, there was really no movement to do more. Essentially, you're reinventing the wheel each time you do a film musical, and I've been fortunate that I get to try. THR: Although it paid off for all parties in the end, you voiced frustration over the way Tangled was marketed. What did you take issue with? Menken: That it wasn't billed as a musical. In the trailers, the songs were hidden -- they used a Pink song instead -- because I think Disney felt the best way to market the movie was as a kind of boy-oriented action adventure. But I was hired to write a musical based on Rapunzel. So sometimes it's frustrating, but in the case of Tangled, you have to say maybe they knew something because they changed the name, made a serious effort to market it in a certain way and the movie did very well. It worked out just fine. THR: Was there a time it didn't? Menken: Home on the Range -- that was a bit of a creative train wreck where a lot of good work went into something that wasn't smartly conceived. People were not in the same place, and that happens a lot, especially with musicals, where you can get pulled in two or three directions. It can be harrowing and it can fail, and sometimes, much to your surprise, it can succeed. THR: Are you surprised at the successful return of The Lion King? Menken: Go figure! It's amazing after all this time. But The Lion King is a very beloved animated musical -- exceptionally so. THR: Is there a movie executive who really gets music? Menken: Chris Montan. He started as a music supervisor when I first came to Disney, and 26 years later he's still there as [president of Walt Disney Music]. There's never been anybody more influential on me as a composer than Chris, but in terms of Jeffrey Katzenberg or Michael Eisner, who I work with, their heads are not in the process. What they're looking at is the result, and it's my job to give them the result they want while hanging on to my integrity as a composer. THR: You've lived in the NY area all your life and worked on Broadway on and off for decades. What was it like watching the Spider-Man: Turn Off the Dark drama from the sidelines? Menken: For those of us who know what it's like to open a Broadway show, there's great empathy for Julie Taymor and the people who stuck their necks out. And there's a certain degree of schadenfreude because we've all gotten our rear ends kicked by the critics and bloggers. ... We're all acrobats. You're watching somebody try a particularly difficult dismount. What Julie did was really courageous. But it's also about bringing the music of U2 to the stage. One of the reasons we won a lot of best song Oscars was it didn't sound like somebody just put in a trunk song. In every case, they were completely honed to the project. Related Topics Alan Menken

Eddie Murphy on Hosting the Oscars: 'I Don't Feel the Pressure'

NY - Academy Awards host Eddie Murphy promised that he will stay at the show all night after running off in 2007 after losing the best supporting actor race, in which he was a contender with his role in Dreamgirls, to Alan Arkin (Little Miss Sunshine), HitFix reported.our editor recommendsBen Stiller, Eddie Murphy in 'Tower Heist' Trailer (Video)Eddie Murphy as Possible Oscar Host: News Met With Mixed Reactions "I'm looking forward to doing it and I promise I'll stay there all night," Murphy said during a press conference for his comedy thriller Tower Heist, according to the report. He also said he doesn't feel nervous at all. "Oscars is a fun thing to do," he said. "I don't feel the pressure. I get to introduce people and stand up straight. Maybe I'll be in a couple silly sketches or something." The actor said he hasn't worked on any Oscar material so far, because "no one's got nominated yet,"HitFix said. Murphy hasn't hosted an awards show since the 1985 MTV Video Music Awards. Asked why he accepted the hosting offer, Murphy said: "Never got to it. I've only been to the Oscars two or three times in 30 years." Tower Heist director Brett Ratner didn't speak about his Oscar producing role during the press conference, according to the report. He and co-executive producer Don Mischer recently told The Hollywood Reporter that Murphy would deliver as host. The 84th annual Academy Awards will be broadcast by ABC on Feb. 26. Email: Georg.SzalaI@thr.com Twitter: @georgszalai Related Topics Brett Ratner Eddie Murphy

Film Clip Warner Bros Choice To Increase The Risk For Stand

Warner Bros has selected Film Clip to evolve and direct The Stand, Stephen King’s apocalyptic mammoth book. Affleck has converted into a cornerstone director for your studio, but this really is his finest challenge yet. Even King remains reticent about the idea of developing a feature of his book, which formerly was converted to a miniseries. While Using Town and Gone Baby Gone, Affleck has proven the grit essential additional type of memorable tale. It’s beginning, nevertheless the studio loves Affleck, who’s now pointing Argo.

Captain America deleted scene released

Not only have we been treated to a full Marvel One-Shot short film in recent days, now there's bonus footage from the Captain America DVD and Blu-ray online too. The deleted scene shows Cap and his buddies throwing down with the Nazis, until some new technology rolls onto the battlefield.We kinda like that they decided to leave the VFX from this outtake partly finished.No embedded video yet, so follow the Marvel.com link below to see the squad in action. Plus some gratuitous dancing girls, of course.

Natalie Morales Joins NBCs Rock Center

With so many hires, maybe we should a story on who from NBC News isn’t on NBC’s new primetime newsmagazine Rock Center With Brian Williams. Today news anchor Natalie Morales is the latest to be tapped for the newsmagazine as a correspondent, joining anchor and managing editor Brian Williams and correspondents Harry Smith, Kate Snow, Ted Koppel, Meredith Vieira, Richard Engel, Dr. Nancy Snyderman, Matt Lauer and Ann Curry.

REVIEW: Almodvar's The Skin I Live In a Twisty, Sci-Fi Psychosexual Melodrama

The idea of building a person to spec — especially when that person is some form of ideal woman — is one that’s haunted the movies in variations from My Fair Lady to Vertigo to Bride of Frankenstein to Weird Science. It’s an echo of the constructing of a character that results in what you see on screen — a figure who’s the joint creation of an actor, director, writer, makeup artist, dialect coach, costume designer, ad infinitum. But it’s also a concept that provides a counter to the typical romance saga in which two people who are perfect for one other come together. Why search for your match when you can make one? It’s fair to say that the human experiment at the heart of The Skin I Live In, Pedro Almodvar’s latest, is motivated by loneliness, if also revenge and mourning. And, naturally, craziness — lots of craziness. One character, after dumping a load of soap-opera-on-acid exposition in the form of a monologue, notes that the film’s protagonist was “born insane.” “I’ve got insanity in my entrails,” she adds for good measure. Dr. Robert Ledgard (Antonio Banderas, reuniting with Almodvar for their first film together in over two decades) may be more than a little off, but he’s also a brilliant plastic surgeon who’s been working on a synthetic skin that’ll resist many of the normal weaknesses — say, fire — inherent to the more fragile organ with which we’re born. Like any mad scientist worth his salt, his work pushes the boundaries of what his colleagues consider ethical and acceptable, especially his use of transgenesis. Lord knows what they’d say if they saw what he’s been up to in his spare time. The object of Ledgard’s fixation and his own personal guinea pig is Vera (a memorable Elena Anaya), a beautiful, lithe woman we first see contorting herself in a yoga stretch in a flesh-colored body stocking and looking like a doll being bent into an impossible angle. It’s not an accidental resemblance — constructed figures litter the background of The Skin I Live In, from the nudes on the walls of Ledgard’s house to the mannequins in the window of clothing store in town. And Vera is one of them, though her consent in the matter is obviously questionable — she’s kept in a locked room with a surveillance camera through which Ledgard likes to observe her, though she’s also delivered meals, an Alice Munro book and material for her art projects via a dumbwaiter. She doesn’t seem completely stable either, with her closet of shredded clothes and bout of self-harm. She could be patient or victim. I’m reluctant to give away any more details of this story, which contains some wild twists involving how Vera ended up where she did and Ledgard’s tragedy-filled backstory. What’s distinctive about The Skin I Live In, beyond even these nutso developments, is how reserved it is in terms of filmmaking choices. Aside from his usual bold color schemes, Almodvar has managed a remarkably restrained telling of what’s in essence a sci-fi psychosexual melodrama set in the very near future of 2012 Toledo. He’s much quoted as describing the film as “a horror story without screams or frights,” and he receives assistance in that regard with straight, unwinking performances from Banderas, Anaya and Marisa Paredes as the housekeeper Marilia. While it’s never short on tension, with the addition of disturbing details like the delivery of a container of animal blood to a kitchen table, or the reveal that “Gal,” the name Ledgard has given his synthetic skin, is also the name of his late wife, the film approaches its tale as a psychological mystery, unraveling the question of how these people came to be in their strange situation, and prodding at the malleability of the human exterior and interior. The Skin I Live In approaches its present from two angles — its first half essentially offering Ledgard’s view, the second Vera’s, circling around a disruption to the pair’s routine caused by a wild animal, or rather a man (Roberto lamo) in a tiger costume that changes the status quo in the isolated household. It’s a deliberately silly prod fitting for such a determinedly oddball narrative, and it speaks to the consistency of the film’s tone that what takes place when the tiger comes into the house doesn’t seem any more unexpected than what happened before he got there. Ledgard’s controlling devotion has created a shared psychosis into which everyone around him seems to have been pulled — “You and I aren’t like anyone,” he says to Vera when expresses a wish for the pair of them to live a more normal life. How true that is in the underlying question of the film — Ledgard has capability to shape someone’s outside, but the mind and soul are something else that no surgeon’s knife can reach.

Producers Guild to Honor Leslie Moonves With Milestone Award

The Producers Guild of America announced that CBS Corp. president and CEO Leslie Moonves will be honored with the 2012 Milestone Award, which will be presented at the awards ceremony on Jan. 21 at the Beverly Hilton Hotel in Los Angeles.our editor recommendsCBS Corp. CEO Leslie Moonves' 2010 Compensation Rises 34% to $57.7 MillionCBS Corp. CEO Leslie Moonves Even More Bullish On Advertising Outlook And Company Than Usual Moonves oversees all operations of CBS Corp., including CBS Television Network, Showtime, CBS Radio, Simon & Schuster and CBS Interactive. "Les Moonves is a true visionary, with the rare combination of exemplary managerial skills, singular creative instincts and forward thinking leadership of CBS and our industry," said Producers Guild Awards co-chairs Paula Wagner and Michael Manheim. "Les has continued to advance the entertainment landscape with his ability to stay at the forefront of new media ventures, identify strategic acquisitions, recognize unique programming such as Survivor and CSI, and successfully guide his continuously growing team to achieve extraordinary results. We are proud to recognize his contributions to the entertainment industry with the Guild's highest honor." "I am extremely thankful to the Guild for this recognition, and truly honored to be recognized alongside the caliber of talent that has received this award previously," said Moonves. The Milestone Award recognizes an individual who has made historic contributions to the entertainment industry. Previous recipients have included Clint Eastwood, Alfred Hitchcock, Jeffrey Katzenberg, Ron Howard and Brian Grazer, James Cameron and Walt Disney. Related Topics Leslie Moonves CBS CBS Corporation

Box Office Report: Hugh Jackman's 'Real Steel' Wins Friday With $8.six million

Shawn Levy's robot boxing drama Real Steel capped the Friday box office race with $8.six million, however the fate from the Hugh Jackman pic will be based upon strong family business over the past weekend.our editor recommendsBox Office Preview: Hugh Jackman's 'Real Steel' Set to Win WeekendBox Office Report: Hugh Jackman's 'Real Steel' Searching to spread out North of $25 Mil'Ides of March': George Clooney, Ryan Gosling's Energy Player StyleRyan Gosling: 'I Fanned Out' in 'Ides of March' (Video)George Clooney's 'The Ides Of March': Early ReviewsGeorge Clooney's 'The Ides of March': Exactly what the Experts Say The Ides of March, directed by George Clooney, placed second, grossing an believed $3.5 million on the effectiveness of adult moviegoers intrigued through the political drama. Ides stars Clooney, Ryan Gosling and Philip Seymour Hoffman. PHOTOS: 'Real Steel' Premiere Because it stands now, Real Steel is headed for any $24 million to $26 million debut, lacking the wished-for $$ 30 million or better opening. However, if families come out in pressure over the past weekend, the DreamWorks movie might make up some ground and finish up north of $27 million. Real Steel cost $110 million to create, as well as is opening a few days ago in many key foreign marketplaces. Ides of March, written by The new sony and fully funded by Cold Creek Pictures, is forecasted to earn $10.5 million or better for that weekend, many thinking about the film cost $12.5 million to create. The new sony is wishing to best the $10.4 million gained by Clooney starrer Michael Clayton on its first weekend in countrywide release. PHOTOS: 'Real Steel' Start Looking CinemaScores won't be launched until Saturday evening for either film. Warner Bros. and Alcon Entertainment's Dolphin Tale placed No. 3 on its third Friday, grossing $2.4 million for any domestic cume of $42.3 million, then The new sony's Kaira Pitt baseball drama Moneyball by having an believed $2.3 million for any cume of $44 million. Summit Entertainment and Mandate Pictures' Seth Rogen-Frederick Gordon-Levitt film 50/50 paced No. 5, grossing an believed $1.8 million for any cume of $13.six million in the first eight days in release. Belief-based pic Courageous, from Sherwood Pictures and TriStar, arrived No. 6, grossing $1.4 million on its second Friday for any total $12.7 million. Difficulties-Rachel Weisz horror movie Dream House adopted with $1.36 million for any cume of $11.4 million in the first eight days. Disney three dimensional re-discharge of The Lion King fell to No. 8, grossing an believed $1.two million for domestic total of $82.six million. The re-release has turned into a box office blockbuster, and it is still playing in additional than 2,260 theaters, even thought the Gemstone Blu-Ray edition from the film was launched on March. 4. What's Your Number? arrived No. 9 on its second Friday, grossing an believed $a million for any disappointing cume of $8.3 million. Fox is disbursing the Anna Faris-Chris Evans R-ranked comedy, that was created and fully funded by New Regency. Rachelle Lefervre action pic Abduction, from Lionsgate, rounded the top ten, grossing an believed $865K for any cume of $21.3 million. Related Subjects George Clooney Hugh Jackman Ryan Gosling Box Office Real Steel The Ides of March

New Tintin Trailer Live

Another clue to Secret From The UnicornHot around the heels of yesterday's War Equine trailer, today brings by using it a brand new look at TheAdventures Of Tintin:The Key From The Unicorn, Steven Spielberg's other approaching offering according to Herge's forever popular number of books. And when the dial yesterday was switched to "emotional", that one ramps it completely to "action".So there is a small snippet of two sailing ships fighting around the ocean, cannons blazing, however we expensive toward a little more modern occasions, and find out boy reporter Tintin (Jamie Bell) and the dog Snowy recuperating an idea to some sunken ship's location, prior to getting into some risky adventure and falling along with Captain Haddock (AndySerkis). Signal rocket launchers along with a novel method to travel about by motorbike.The Adventures Of Tintin:The Key From The Unicorn has gone out on October 26. Hey!That's this month already!We are nearly there!

Videofashion launches daily program

In the illustration showing the requirement for library content, Videofashion Network will launch "Videofashion Daily," a greater-def web series where new episodes might be examined each day if needed.InchVideofashion Daily" includes nine Videofashion-high quality subseries featuring periodic designer collections, special deals, designer profiles, model features, people, style, classics and eyecandy - for just about any total of 365 new programs every year. Each one is available to distribution worldwide to all or any media shops, including broadcast, cable, broadband, mobile and programs."Videofashion Daily might be the brand new cornerstone in the Videofashion Network of 12 ongoing series, making Videofashion our planet's greatest producer of favor, beauty, and lifestyle programs," mentioned Marlene Cardin, Videofashion Boss and co-founder.Videofashion launched our planet's first video magazine, "Videofashion News," 35 in the past. In 1980 it increased being an every three several weeks, later a monthly too as with 1995 it went weekly.Now "Videofashion Daily" has extended to 365 new half-hour programs about daily, from The month of the month of january, 2012, when they'll be released each day round the protected Videofashion Daily website.The 35 years of age Videofashion library boasts 18,000 several hours of unedited footage, 13,000 segments and 1,800 completed programs. "Without our library, we are in a position to never produce a new program each day, seven days each week, 52 days yearly,Inch mentioned Anne V. Adami, Videofashion founding controlling editor. "Mixing 'Videofashion Daily' while using huge inventory of Videofashion Network programs, Videofashion can program an entire fashion or women's funnel exceeding 1,000 several hours of content," added company co-founder and editorial director Nicolas Charney. Contact Peter Caranicas at peter.caranicas@variety.com

Milchan doubles down on film ambitions

With the recession deepening, many financial players are hedging their bets or heading for the sidelines. But now along comes Arnon Milchan. A career contrarian, Milchan has marshaled a $500 million-$700 million war chest, fired the staff of his film company and announced to Hollywood that he wants in on the action once again. In short, he intends to spend big bucks on movies. The last time the mercurial Milchan was this excited about the movie business was back in 1990 when "Pretty Woman" became a surprise hit and he decided that, with the right game plan, filmmaking could indeed translate into big profits. Setting up Regency Films, Milchan unfurled a then-innovative scenario for co-financing and co-owning films that were then distributed through a low-fee, rent-a-studio distribution structure. Some lively and eclectic films emanated from Regency in its early years, ranging from "JFK" to "Heat" to "Brazil" to "The King of Comedy" and "L.A. Confidential." In recent times, however, Regency's product has become notably blah -- its principal contribution to our pop culture was the "Alvin and the Chipmunks" series. (Regency's current release, "What's Your Number?," is a reasonably entertaining romantic comedy that I feel I've seen before.) Talk with Milchan, a feisty sixth-generation Israeli, and you sense his impatience not only with his movies but also with ever-mounting tensions in the Middle East. Where Milchan once helped Israel procure and develop weapons, his role in recent years has become more of a peacemaker and bridge-builder. But this, too, has led to frustration. His quirky films once gave him amazing access to that region's power players (Yasser Arafat told him "Pretty Woman" was his favorite video) but lately the walls have gone up again, prompting Milchan to turn back to Hollywood for some fun. To be sure, Milchan's definition of "fun" can become rather intense. He relishes the combat of dealmaking, which has led to ongoing relationships with filmmakers like the tantrum-throwing Oliver Stone, who once called Milchan a Middle Eastern rug dealer (wrong product). Milchan presently is taking on the famously cogitative Warren Beatty, who has been pondering his Howard Hughes project for two decades. The film is appropriately titled "The Rules Don't Apply" and, if deal differences work themselves out, Beatty would direct himself on a budget of $32 million, which would emanate not only from Regency but also possibly from Jim Robinson's Morgan Creek. Once a deal with Andrew Garfield to co-star failed to materialize, offers went to several other actors (cameos from the likes of Annette Bening and even Jack Nicholson might also become reality). Deal issues relating to potential budget overages must also be firmed up. Meanwhile Milchan, eager to put together an eclectic slate, is nurturing other projects. He likes Darren Aronofsky's broad-scale film, "Noah," which may be distributed by Paramount, not Fox -- Milchan's home base -- and he covets a Brad Pitt vehicle titled "The Gray Man" (which will be directed by James Gray). Milchan has brought in Brad Weston to run Regency (he was a highly caffeinated executive at Paramount) and Weston, in turn, hired Alexandra Milchan, daughter of Arnon (and herself a successful producer) to further prod the slate. "I realize that my company has become a bit boring, and maybe I've become bored, too," Milchan confides, but his definition of boredom strikes friends as idiosyncratic. At age 66, the tan and fit Milchan has two young children (ages 9 months and 4 years), is married to a former world-class tennis player (Amanda Coetzer) and continues to wheel and deal with his art collection, which is reportedly worth well north of $600 million. Milchan is less than thrilled by a new unauthorized biography of him that is gaudily titled "Confidential: The Life of Secret Agent Turned Hollywood Tycoon Arnon Milchan." Written by Meir Doron and Joseph Gelman, the book describes Milchan as leading a James Bond-like career in procuring exotic weapons for Israel's war machine. Milchan prefers to downplay this portion of his life. He points out that he inherited a company that manufactured chemical fertilizer and, as a player in the chemicals business for a nation that was often at war, he had his share of military contracts. A centrist by nature, Milchan has tried to encourage peaceful solutions for the Middle Eastern morass, and is both encouraged and worried by the so-called Arab Spring, Given those concerns, he has decided at the moment to focus his attentions on creating a Hollywood Spring. Some good and intelligent films, he believes, could go far to rebuild the industry's sagging economics. And to Milchan, as to Warren Beatty, the rules don't apply. Contact Peter Bart at peter.bart@variety.com